Showing posts with label Artist. Show all posts
Showing posts with label Artist. Show all posts

Thursday, 25 October 2007

The Art of Splitting Up


A Donated Wedding Dress (above)
This is a particularly interesting exhibition, based on items being donated from the general public of varying countries that are momentos of past relationships, whether they be short term flings or divorces. The exhibition originated in Croatia, but wherever the exhibition goes, the public are able to bring their own memories to display, including a short description about what it means to them.


A Donated Pair of Handcuffs (above)
The artists behind the idea Olinka Vistica and Drazen Grubisic infact were going through a split, and wanted to do something creative with the feelings they had. I think its a really nice idea, for its very simple idea that allows the public not only to be interactive, but also personal with the exhibition. Its almost like a support group for the wounded, each has a story that they want to share, and almost get comfort seeing as though they are not the only ones to ever get hurt. Donators often felt a very cathartic effect. One woman brought an axe that she used on her lovers furniture, when she found out she'd cheated on her.

"The more her room filled up with chopped up furniture, the more I started to feel better. Two weeks after she was kicked out she came to take the furniture. It was neatly arranged into small heaps and fragments of wood."

Tuesday, 9 October 2007

Cracked


"Sibboleth"

London's Tate Modern Gallery's central exhibit is what we see in the image above, a massice crack in a concrete floor. "Shibboleth" created by Colombian sculptor Doris Salcedo, runs the full 167-metre (548-feet) length of the massive Turbine Hall within the Tate. It begins as a tiny crack then gradually widens and deepens as it crosses the room. The entire piece took one year to make and 5 weeks for installtion. Sibboleth is Hebrew used in the Old Testement means "a custom or practice that distinguishes someone as an outsider." This piece aimed to highlight the racism faced by White Europeans and the rest of humanity.

When asked how deep the crack went, she replied: "It's bottomless. It's as deep as humanity."

The physicalities of the piece aim to created borders and fractions to represent the issue at hand. I think it is an interesting idea to put the idea of segregation and division on such a literal and large scale - making you take notice.

"It represents borders, the experience of immigrants, the experience of segregation, the experience of racial hatred. It is the experience of a Third World person coming into the heart of Europe.... For example, the space which illegal immigrants occupy is a negative space. And so this piece is a negative space."

"Shibboleth" is Salcedo's first public commission in Britain and the eighth in the Unilever Series of works occupying the Turbine Hall at the former power station. The last was Carsten Hoeller's hugely popular giant slides.

Tate Modern staff will be stationed near the crack to warn visitors about the dangers of tripping and falling into the void. The installation will be removed next April by filling in the crack. Tate director Nicholas Serota said the "scar" would remain "as a memory of the work and also be a memorial to the issues Doris touches on."

Thursday, 4 October 2007

Greetings...



www.urbangraphic.co.uk

Sunday, 23 September 2007

"FlatLife"


A Short Film By Jonas Geirnaert

This animation reminded me of “Tango” by Zbigniew Rybczynski (shown below). Jonas Geirnaert wrote, animated, directed and edited this film, and for it won a ‘Prix de Jury’ at the Cannes Film Festival 2004. “Flatlife” is a cartoon, based on four characters in four separate rooms in a house. It is a sweet film, with a series of small story lines, like broken washing machines, noisy neighbours and a game of chess. Unfortunately this film lacks the ingenuity of “Tango”, for each of the characters were directly interacting with each other in “Flatlife”, whereas “Tango” has been so beautifully choreographed, so that although the characters were in the same room, they were completely oblivious to each other. Also, with Tango the characters were three dimensional, whereas I think the cartoons used in “Flatlife” give the impression of a more amateur production. However said that, the film is still lovely to watch, for the challenge of the viewer is to keep an eye on what each of the characters are doing, for they are constantly changing and moving with the storyline unlike “Tango” where each of the characters are repeating the same sequence.

To Watch "FlatLife" visit:
http://www.youtube.com/watch?v=_1eRgDGmXJE

"Tango"


A Short Film By Zbigniew Rybczynski
Original Format: 35mm Colour

I originally looked at the short film “Tango” by Rybczynski when researching our Family Portrait Brief. The film was made in 1980 and is comprised of a static shot of a single room. Over a period of 8min 10secs, 36 different characters from different time periods all enter the room, performing separate actions. What is astounding about this film is that each character, or pair are completely in their own worlds, yet never acknowledge the existence of the other 35 inhabitants for that moment in time.

“I had to draw and paint about 16.000 cell-mattes, and make several hundred thousand exposures on an optical printer. It took a full seven months, sixteen hours per day, to make the piece. The miracle is that the negative got through the process with only minor damage, and I made less than one hundred mathematical mistakes out of several hundred thousand possibilities”
Zbig Rybczynski –Looking to the Future - Imagining the Truth,” in FranÐois Penz, Maureen Thomas, Cinema& Architecture. Mþliús, Mallet-Stevens, Multimedia, BFI, London, 1997

Although the quality of the film is of the highest standard, the grainy nature only adds to the more sensitive and organic feel of the film.To watch the film go to:
http://video.libero.it/app/play/index.html?id=d93a43d249e5df44770f480fc174675c

Wednesday, 12 September 2007

Dancing with the Devil



I just thought I'd mention this piece of Album Artwork I have always loved. I actually got this piece of art on a postcard from our student Union, only later to find out it was an album cover. The musical artist is Ray Lamontagne, as folk singer in America. I love the clever illustrative use of the popular phrase "dancing with the devil", in other words doings something you really shouldn't be doing, thus strengthening the idea of Trouble, the name of the album.

Monday, 10 September 2007

A Universal Masterpiece


"Life is Colourful"
By Gracie Rafferty

For over a year now an online project has been set up that hopes to culminate the works of 1 million artists of varying talent, from around the world. This “one million dollar masterpiece” aims to raise £3.5 million for charity by asking each artist to donate £3.5 to contribute their work. Once one million pictures have been submitted, organisers hope to print them on a giant canvas and drape it against one of London’s infamous landmarks. Each artist is given a small square in which they use the windows program ‘Paintbrush’ to create their very own piece of art. The subjects totally depend on the artists themselves, whether they prefer to use their one tiny space for the world to see to proclaim world peace, draw their very own self-portrait or do something a little more abstract. The standard of work is absolutely phenomenal; obviously the majority of work is very simple and amateurish, however there are certainly some very skilled artists out there who can create beautiful pieces of work through the paint program, which is truly amazing. This was a brilliant idea, as it not only generates money for charity, but it ultimately allows people, artists of different abilities from across the world come together in one place which can’t be a bad thing.

Monday, 3 September 2007

Noah Kalina; Everyday

Noah Kalina, a Photographer in New York posted his video ‘everyday’ on youtube on 27th August 2006, where he shot to internet stardom. The video consists of a sequence of thousands of photographs of him, that he had taken every single day of his life since January 11th 2000. Keeping the same facial expression throughout, you can’t help but be amused by this video – over 5 minutes long. This is quite a comic piece with a changes in location, clothes and especially haircuts – giving the viewer a small understanding as to where changes in his life have occurred by the small details we are given in a single frame. Beyond anything else, this photographic montage clearly demonstrates above all the fact that we all age – for Kalina started this project aged 19 and as time goes on it is more than evident that his youth is slipping.
This is really worth a watch at least once on http://www.youtube.com/watch?v=6B26asyGKDo, or you can see all the images on his website http://www.everyday.noahkalina.com/index.php

Monday, 16 July 2007

D&AD Packaging Design 2007; Warburtons

Being nominated for a D&AD award was one of the craziest experiences I have ever been through. One of the most exciting things about the whole saga was actually checking out the competition. It was really interesting to see the different concepts people adopted to deal with the same brief.

I, along with another nominee was awarded a Commendation, there was no second prize, and the first prize was awarded to a well-deserved Sophie Towler from The University College Falmouth. When I first saw the other nominees, Sophie’s work stood out, playing on the popular notion that ‘sex sells’. Below are a few photos I took on my phone of her work.







Playing on the idea that Warburtons were selling a “delicious Italian” the copy fully supported this cheeky concept, with each of the breads having its own saucy line on the back, like “I want you to rub oil on me”, or “I want you to nibble me all over”. This was a fantastically well thought out piece of work, with each element fully supporting and complimenting the strong concept. Where I think my work and Andy’s (the other nominee) may have lacked was the direct appeal to the target market which was women in their 30’s. Both our designs were sophisticated and perhaps more ‘visually interesting’ with the use of photography, but both had a more all round appeal whereas Sophie’s encompassed the specific market so well. According to the D&AD website, first prize winners is awarded “the one outstanding entry; Bang on brief, brilliantly crafted or executed and with that 'I wish I'd done that!' appeal” and Sophie’s work certainly oozed in humour, simplicity and that all important ability to put a smile on someone’s face – basically, a designers dream.

Just on a small note, after looking at other nominees, and especially in my own category, I know I have said it before but the quality of execution was amazing. The other two students had produced real mock ups, something you can go straight into Tesco’s and pick up off a shelf, whereas for my mock ups, I had simply wrapped sheets over pre-made bread packaging, through pure naivety perhaps, thinking this would stand up next to the quality of the other entrants. Sophie had even pushed the brief further, something I noticed with a lot of other entrants, and produced more work in an extension of their brief, in her case she all produced a small ad campaign that could be used in line with her ‘delicious Italian’ concept, which just goes to show that doing extra could potentially be the difference between second prize and first, or an award or no award at all. I guess these are all lessons that you learn with experience, as I now know that I need to pick my game up as I have seen the other competition out there, and its tough.